TROUM
Tjukurrpa
(part three: rhythms and pulsations)
Dronecore. This is the third part in TROUMs Tjukurrpa-trilogy, following
part 1 (harmonies) and part 2 (drones). This final part is dedicated
to rhythms and pulsations, with a focus on rhythmic,
pounding, looping & repetitive elements and structures.
With TJUKURRPA 3, TROUM shows a not so well known side, using the trance-power
of repetitive textures. In every of the seven extensive tracks (playtime
66+ min) rhythms in various moods build the basis: from smooth ambience-pulsations
over ritualistic surroundings up to ecstatic pounding harshness, from
underneath & soft pulsative patterns up to evolving harsh &
overwhelming rhythmic loops.
The music on Tjukurrpa III is made by raw & processed loops &
handplayed percussion, along with electric guitar & bass, balalaika,
mouth organ, male & female human voice, flute, and accordeon. No
samplers, synths or computers used.
The aboriginal word "Tjukurrpa", translated as "dreamtime",
should symbolize the aim to build music that creates a dreamy state
of mind, music of yearning, meditation and inner movement. The "Tjukurrpa"-trilogy
shows the three basic musical spheres of TROUM, "harmonies",
"drones" and "pulsations": This third part presents
the rhythmic, pulsative & loopy side of TROUM.
This work is dedicated to the basic pulses of nature that create all
life-forms.
T R O U M . T i e f e n m u s i k R e a c h i n g O u r U n c o n s
c o i u s M i n d s
R E L E A S E - D A T E : 1 1 . N O V . 2 0 0 3
I N I T I A L P R E S S I N G : 1 0 0 0 c o p i e s i n f u l l c o
l o u r c i r c l e - c o v e r
T R A N S G R E D I E N T R E C O R D S T R - 0 1 c
S I N G L E P R I C E : ¬ 1 3 . 0 0 . "
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Nautical
Music
The
Philosophy of "Tjukurrpa